Melusine

=Melusine=

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Melusine's secret discovered, from //Le Roman de Mélusine.// One of sixteen paintings by Guillebert de Mets circa 1410. The original is held by the Bibliothèque nationale de France. She is usually depicted as a woman who is a [|serpent] or [|fish] (much like a [|mermaid]) from the waist down. She is also sometimes illustrated with wings, two tails or both, and sometimes referred to as a [|nixie]. hide] * [|1] [|Heraldry] 
 * Melusine** (or **Melusina**) is a figure of [|European] [|legends] and [|folklore], a feminine [|spirit] of fresh waters in sacred springs and rivers.
 * ==Contents==
 * [|2] [|Literary versions]
 * [|3] [|Legends]
 * [|4] [|References in the arts]
 * [|5] [|Notes]
 * [|6] [|References]
 * [|7] [|External links] ||

Heraldry
Melusine is sometimes used as a [|heraldic] figure, typically in [|German] [|Coats of arms], where she supports one scaly tail in each arm. She may appear crowned. The [|Coat of Arms of Warsaw] features a [|siren] (identified in Polish as a //syrenka//) very much like a depiction of Melusine, brandishing a sword and shield. She is the water-spirit from the [|Vistula] who identified the proper site for the city to Boreslaus of Masovia in the late [|13th century]. 

Literary versions
Raymond walks in on his wife, Melusine, in her bath and discovers she has the lower body of a serpent. Illustration from the [|Jean d'Arras] work, //Le livre de Mélusine// (The Book of Melusine), 1478. The most famous literary version of Melusine tales, that of [|Jean d'Arras], compiled about [|1382]–[|1394] was worked into a collection of "spinning yarns" as told by ladies at their spinning. Melusine is depicted in the '[|Tres Riches Heures]', in the month page for March, as a dragon protecting the castle of [|Lusignan]. The tale was translated into [|German] in [|1456] by [|Thüring von Ringoltingen], the version of which became popular as a [|chapbook]. It was later translated into the [|English language] c. [|1500], and often printed in both the [|15th century] and the [|16th century]. There is also a prose version called the //Chronique de la princesse.// It tells how Elynas, the King of [|Albany] (an old name for [|Scotland]) went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise — for there is often a hard and fatal condition attached to any pairing of [|fay] and mortal — that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of [|Avalon]. The three girls — Melusine, Melior, and Palatyne — grew up in Avalon. On their fifteenth birthday, Melusine, the eldest, asked why they had been taken to Avalon. Upon hearing of their father's broken promise, Melusine sought revenge. She and her sisters captured Elynas and locked him, with his riches, in a mountain. Pressyne became enraged when she learned what the girls had done, and punished them for their disrespect to their father. Melusine was condemned to take the form of a serpent from the waist down every Saturday. Raymond of [|Poitou] came across Melusine in a forest in [|France], and proposed marriage. Just as her mother had done, she laid a condition, that he must never enter her chamber on a Saturday. He broke the promise and saw her in the form of a part-woman part-serpent. She forgave him. Only when, during a disagreement with her, he called her a "serpent" in front of his court, did she assume the form of a [|dragon], provide him with two magic rings and fly off, never to return.[|[1]]

In "The Wandering Unicorn" by Manuel Mujica Láinez, Melusine tells her tale of several centuries of existence from her original curse to the time of the crusades.[|[2]] 

Legends
Melusine legends are especially connected with the northern, most Celtic areas of [|Gaul], and the [|Low Countries]. Sir [|Walter Scott] told a Melusine tale in //[|The Minstrelsy of the Scottish Border]// ([|1802] -[|1803]) confident that Melusine by [|Ludwig Michael von Schwanthaler] (1845) When Count Siegfried of the [|Ardennes] bought the feudal rights to [|Luxembourg] in [|963], his name became connected with the local version of Melusine. In [|1997] Luxembourg issued a postage stamp commemorating this Melusina, with essentially the same magic gifts as the ancestress of the Lusignans. This Melusina magically made the castle of Bock appear the morning after their wedding. On her terms of marriage, she too required one day of absolute privacy each week. Alas, Sigefroid, as the Luxembourgeois call him, "could not resist temptation, and on one of the forbidden days he spied on her in her bath and discovered her to be a mermaid. When he let out a surprised cry, Melusina caught sight of him, and her bath immediately sank into the solid rock, carrying her with it. Melusina surfaces briefly every seven years as a beautiful woman or as a serpent, holding a small golden key in her mouth. Whoever takes the key from her will set her free and may claim her as his bride." [|[3]] [|Martin Luther] knew and believed in the story of another version of Melusine, //die Melusina zu Lucelberg// (Lucelberg in [|Silesia]), whom he referred to several times as a [|succubus] (//Works,// Erlangen edition, volume 60, pp 37–42). [|Johann Wolfgang von Goethe] wrote the tale of //Die Neue Melusine// in [|1807] and published it as part of //Wilhelm Meisters Wanderjahre.// The playwright [|Franz Grillparzer] brought Goethe's tale to the stage and [|Felix Mendelssohn] provided a concert overture "The Fair Melusina," his Opus 32. Melusine is one of the pre-Christian water-faeries who were sometimes responsible for [|changelings]. The "[|Lady of the Lake]", who spirited away the infant [|Lancelot] and raised the child, was such a water nymph. For other European water sprites dangerous to humans, especially men, see [|Lorelei], [|Nixie]. "Melusina" would seem to be an uneasy name for a girl-child in these areas of Europe, but [|Ehrengard Melusine von der Schulenburg, Duchess of Kendal and Munster], mistress of [|George I of Great Britain], was christened Melusine in [|1667]. 
 * < “ || the reader will find the fairy of [|Normandy], or [|Bretagne], adorned with all the splendour of Eastern description. The fairy Melusina, also, who married [|Guy de Lusignan], Count of Poitou, under condition that he should never attempt to intrude upon her privacy, was of this latter class. She bore the count many children, and erected for him a magnificent castle by her magical art. Their harmony was uninterrupted until the prying husband broke the conditions of their union, by concealing himself to behold his wife make use of her enchanted bath. Hardly had Melusina discovered the indiscreet intruder, than, transforming herself into a dragon, she departed with a loud yell of lamentation, and was never again visible to mortal eyes ; although, even in the days of [|Brantome], she was supposed to be the protectress of her descendants, and was heard wailing as she sailed upon the blast round the turrets of the castle of Lusignan the night before it was demolished. ||> ” ||

References in the arts
[|Felix Mendelssohn] depicted the character in his overture //The Fair Melusina (Zum Märchen von der Schönen Melusine)//, opus 32. [|Marcel Proust]'s main character compares Gilberte to a Melusine in "Within a Budding Grove." She is also compared on several occasions to the Duchesse de Guermantes who was (according to the Duc de Guermantes) directly descended from the Lusignan dynasty. In the Guermantes Way for example, the narrator observes that the Lusignan family "was fated to become extinct on the day when the fairy Melusine should disappear." (Volume II, Page 5, Vintage Edition.) Melusine is a recurring metaphor in [|André Breton]'s //Arcanum 17// and //Nadja.// The Melusine legend plays a prominent role in [|A. S. Byatt]'s //[|Possession]//. One of the main characters, Christabel LaMotte, writes an epic poem about Melusina. Under the inebriating influence of a paradisaical surrounding, the protagonist of [|Johann Wolfgang von Goethe]'s //[|The Sorrows of Werther]// briefly compares himself to Melusina and her sisters with the exclamation that he too is bound by the same mystical charm. Melusine provides the basis for the story "Greatleaf" in [|Candy Taylor Tutt]'s short story collection, [|Dragon Scales, Dragon Tales]. A modern version of the Melusine character appears as the heroine in [|Grace Andreacchi]'s tale //[|The Golden Dolphins]//. 

[[|edit]] Notes

 * 1) **[|^]** [|Boria Sax], //The Serpent and the Swan: Animal Brides in Literature and Folklore//. Knoxville, TN: University of Tennessee Press/ McDonald & Woodward, 1998.
 * 2) **[|^]** [|Láinez, Manuel Mujica (1983) //The Wandering Unicorn// Chatto & Windus, London, ISBN 0701126868] ;
 * 3) **[|^]** [|Luxembourg Stamps: 1997]

[[|edit]] References

 * Donald Maddox and Sara Sturm-Maddox, //Melusine of Lusignan: foundling fiction in late medieval France.// Essays on the //Roman de Mélusine// (1393) of [|Jean d'Arras].
 * Otto j. Eckert, "Luther and the Reformation," lecture, 1955. [|e-text]
 * Proust, Marcel. (C. K. Scott Moncrieff, trans.) //Within A Budding Grove//. (Page 190)

[[|edit]] External links
Retrieved from "http://en.wikipedia.org/wiki/Melusine"
 * [|Well-translated legends about mermaids and water sprites that marry mortal men, with sources noted, edited by D. L. Ashliman.]
 * [|Terri Windling, "Married to Magic: Animal Brides and Bridegrooms in Folklore and Fantasy"]
 * [|Homeira Foth, "The Melusine Myth" San José State University]: sources, framework, history
 * [|Sir Walter Scott, //Minstrelsy of the Scottish Border//] (e-text)
 * [|Huysmans, //The Cathedral//] (e-text)
 * [|Wolfgang Goethe, //Die Neue Melusine//] (in German)
 * [|Archives de littérature du Moyen Âge (Arlima)]: (in French) Bibliographies on Coudrette, Jean d'Arras, and the English Melusine
 * [|Melusine Images]